PLAN YOUR VISIT - Explore themes of reciprocity and collaboration between the human and non-human with new exhibition 'Thinking together: Exchanges with the natural world'

Bundanon

Peggy Herring

Peggy Herring

Art Form: Writing

Residency Year: 2025

Lives / Works: On the territory of the Lək̓ʷəŋən (Songhees and Esquimalt) and W̱SÁNEĆ Peoples, Victoria, British Columbia, Canada

Pegging Herring is the author of Anna, Like Thunder (Brindle and Glass, 2018) and This Innocent Corner (Oolichan Books, 2010).

Her short fiction has been featured in various anthologies and literary journals, including Grain, Prism, Antigonish Review, and The New Quarterly. Prior to her career as an author, she worked as a journalist with the Canadian Broadcasting Corporation in Newfoundland and British Columbia. Herring spent nearly 15 years living overseas in countries such as India, Bangladesh, Nepal, England, and Japan, where she was involved in international development, journalism, and teaching. A full list of her publications can be found on her website.

In Residence at Bundanon

I’ve long been interested in the form of the novel–how and why it has worked throughout the 20th century–and how its form could be disrupted to reflect the likelihood that our 21st century world, thanks to technology and climate change, is at the start of a new era. What parts of the old form do we keep? What’s not working? What possibly could replace the parts we subtract? I’ll be grappling with these questions as I work on a manuscript that embraces metamodernism.

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Bundanon acknowledges the people of the Dharawal and Dhurga language groups as the traditional owners of the land within our boundaries, and recognises their continuous connection to culture, community and Country.

In Dharawal the word Bundanon means deep valley.

This website contains names, images and voices of deceased Aboriginal and Torres Strait Islander peoples.

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